{"id":14,"date":"2021-11-27T14:12:03","date_gmt":"2021-11-27T13:12:03","guid":{"rendered":"http:\/\/christopher-lukman.com\/?page_id=14"},"modified":"2026-02-18T09:38:08","modified_gmt":"2026-02-18T08:38:08","slug":"publications","status":"publish","type":"page","link":"http:\/\/christopher-lukman.com\/?page_id=14","title":{"rendered":"publications"},"content":{"rendered":"\n

Feel free to reach out, if you need to access anything in particular (manuscripts included).<\/em><\/p>\n\n\n\n

2026<\/p>\n\n\n\n

\u2013. “Plaything Phenomenology. The Body, the Plaything, and the Vital Insight of Play” (In Review)<\/p>\n\n\n\n

\u2013. “Algorithmen verk\u00f6rpern? Digitales Spielen als virtuelles Puppenspiel” (accepted, appearing soon)<\/p>\n\n\n\n

\u2013. “What is the Form of Play? Ludic Form and the Development of Movement in Virtual Space”. In: Game Studies <\/em>26\/1. https:\/\/gamestudies.org\/2601\/articles\/lukman<\/a><\/p>\n\n\n\n

2025<\/p>\n\n\n\n

\u2013. “Configuring= Deciding! The Effort of the Strategy Game. Or: A Reconsideration of Pias’s Genre Principles”. In: Ludic Images. The Moving Image between Game, Play, and Interation,<\/em> 33-53. Marburg: B\u00fcchner 2025 (Yearbook of Moving Image Studies 9). https:\/\/doi.org\/10.25969\/mediarep\/24439 <\/a><\/span><\/a> <\/p>\n\n\n\n

2024<\/p>\n\n\n\n

\u2013. “Chess and the Cultivation of Attention. Remarks on a Media Theory of Games”. In: Journal of the Philosophy of Games 5\/1<\/em>. https:\/\/doi.org\/10.5617\/jpg.10785 <\/a><\/span><\/a>. <\/p>\n\n\n\n

2023<\/p>\n\n\n\n

\u2013.”Popular Pleasures: Sharpening the Tools for a Popular Aesthetic in Videogame Criticism”. In: Journal for Gaming and Virtual Worlds <\/em>15\/3, 209\u2013227. https:\/\/doi.org\/10.1386\/jgvw_00085_1 <\/a><\/a><\/span><\/p>\n\n\n\n

2022<\/p>\n\n\n\n

\u2013 (Ed.). Kontrollmaschinen: Zur Dispositivtheorie des Computerspiels<\/em>. LIT. URL: https:\/\/mediarep.org\/entities\/misc\/bd60f761-24bb-4c6a-a081-f4ab10d28d00<\/a><\/p>\n\n\n\n

\u2013. Kontrollmaschinen: Eine Einf\u00fchrung. In C. Lukman (Ed.), Kontrollmaschinen: Zur Dispositivtheorie des Computerspiels <\/em>(pp. 9\u201330). LIT.<\/p>\n\n\n\n

\u2013. (As a translator) Pedercini, P. (2022). Computerspiele und der Geist des Kapitalismus. In C. Lukman (Ed.), Kontrollmaschinen: Zur Dispositivtheorie <\/em>des Computerspiels (pp. 31\u201340). LIT. <\/p>\n\n\n\n

2020<\/p>\n\n\n\n

\u2013. Die Selbstreflexionen eines Computerspiels als Konsumprodukt: Bennett Foddy \u00fcber B-Games, Jazzuo und konsumistisches Spielen. In M. Hennig & H. Krah (Eds.), Kulturen im Computerspiel, Kulturen des Computerspiels <\/em>(pp. 124\u2013146). vwh.<\/p>\n\n\n\n

\u2013. Die Welt des Solidus: Die kulturkritische Zeichensph\u00e4re in Arno Schmidts “Nachbarin Tod und Solidus”. In A. Eidherr (Ed.), Jahrbuch der Gesellschaft der Arno-Schmidt-Leser 2017\/18 <\/em>(pp. 203\u2013214). Edition M & N.<\/p>\n\n\n\n

Spielen in der Kontrollgesellschaft: F\u00fcr eine Theorie des Kontrolldispositivs ‘Computerspiel’. In M. Schellong & M. Hennig (Eds.), Game studies. \u00dcberwachung und Kontrolle im Computerspiel<\/em> (pp. 202\u2013220). vwh. https:\/\/www.paidia.de\/spielen-in-der-kontrollgesellschaft\/<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

\u2013. Coda, Davey und die Erz\u00e4hlfigur: Der Autor und seine Subjekte in The Beginner’s Guide. PAIDIA – Zeitschrift F\u00fcr Computerspielforschung<\/em>, 1\u201333. http:\/\/www.paidia.de\/coda-davey-und-die-erzaehlfigur-der-autor-und-seine-subjekte-in-the-beginners-guide\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Feel free to reach out, if you need to access anything in particular (manuscripts included). 2026 \u2013. “Plaything Phenomenology. The Body, the Plaything, and the Vital Insight of Play” (In Review) \u2013. “Algorithmen verk\u00f6rpern? Digitales Spielen als virtuelles Puppenspiel” (accepted, appearing soon) \u2013. “What is the Form of Play? Ludic Form and the Development of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/pages\/14"}],"collection":[{"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":8,"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":143,"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions\/143"}],"wp:attachment":[{"href":"http:\/\/christopher-lukman.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}